Since the day love settled in Wolfgang heart, his interests were transcended. From now on, desires and orders from his father became second-rate priorities: Aloysia Weber occupied the highest ones. Her marvellous voice, her charm conquered him for eternity.
In love, Wolfgang planned a journey to Italy along with the Weber family. After having infringed his inner wish, however, he bent to his father's will and set out a trip to Paris with his mother, Anna-Maria. It's in their small Parisian apartment that she would passed away.
Profits from this voyage revealed inadequate. Devastated, Leopold urged Wolfgang to return back to Salzburg and apply for a job in the Colloredo's archdiocese. Putting it mildly, such prospect was not exactly thrilling his son.
“...I wish so strongly being in a situation where I do not have to think of anyone, and that we are all well established; also, in that darkness, I totally lost sight of having to give you an account of my doings.”
Mozart
The sonata for piano in A Minor (K. 310) was composed during May 1778 with a feeling of rejection.
Fifteen years earlier, Paris people overflowed in passion and praise for the young Mozart. This time they were indifferent, even inhospitable. Mozart hates Paris and the fast and agitated movement of this sonata reflects well his exasperation. Mozart is wounded and uses his musical language to express the irrevocable by means of an obsessive and strenuous rhythmic theme.
In 1778, it is from Mannheim, Paris, and Munich that Mozart composed his works. Some of them were composed for particular people or circumstances. One of them was Aloysia Weber who was loved by Mozart.
| K.212 | String quartet in A Major |
| K.264 | NLast nine variations for piano in C Major, on the air of "Lison dormait..." |
| K.265 | Twelve variations for piano in C Major, on the air of "Ah, vous dirais-je, Maman " |
| K.285a | Quartet for flute, violin, viola and violoncello in G Major |
| K.285b | Quartet for flute, violin, viola and violoncello in C Major |
| K.294 | Recitative in B flat Major: "Alcandro, Lo Confesso..." and Aria in E flat Major: " Non so d'Onde Viene..." - For Soprano - For Aloysia Weber |
| K.295 | Recitative in B flat Major: "Se Al Labbro Mio..." and Aria in G Minor: "Il Cor Dolente..." - For Tenor - For Anton Raaf |
| K.296 | Sonata No. 24 for piano and violin in C Major |
| K.297 | Symphony No. 31 in D Major, known as "De Paris" |
| K.297a | Eight numbers to a "Miserere" by Holzbauer |
| K.297b | Sinfonia Concertante for flute (or clarinet), oboe, horn and bassoon, in E flat Major |
| K.299 | Concerto for flute and harp in C Major, for the duke De Guisnes and his Young lady |
| K.299b | Orchestral music for "Les Petits Riens", Ballet of Noverre |
| K.301 | Sonata No. 25 for piano and violin in G Major |
| K.302 | Sonata No. 26 for piano and violin in E flat Major |
| K.303 | Sonata No. 27 for piano and violin in C Major |
| K.304 | Sonata No. 28 for piano and violin in E Minor |
| K.305 | Sonata No. 29 for piano and violin in A Major |
| K.306 | Sonata No. 30 for piano and violin in D Major |
| K.308 | Arietta for soprano in A flat Major: " Dans un bois solitaire..." For Augusta Wendling, with accompaniment of piano |
| K.310 | Sonata No. 8 for piano in A Minor |
| K.311a | Overture in B flat Major |
| K.313 | Concerto for flute in G Major |
| K.315b | Dramatic Scene for the castrato Tenducci |
| K.315e | "Sémiramis", Melodrama |
| K.315f | Beginning of a Concerto Allegro for piano and violin in D Major |
| K.316 | Recitative in C Minor: "Popoli di Tessaglia..." and Aria in C Major: "Io Non Chiedo..." for Soprano - Dramatic Scene of "Alceste", for Aloysia Weber |
| K.322 | Kyrie in E flat Major |
| K.330 | Sonata for piano No. 10 in C Major ( * ) |
| K.331 | Sonata for piano No. 11 in A Major ( * ) |
| K.332 | Sonata for piano No. 12 in F Major ( * ) |
| K.333 | Sonata for piano No. 13 in B flat Major ( * ) |
| K.353 | Twelve variations for piano in E flat Major, on the air of "La belle Française" |
| K.354 | Twelve variations for piano in E flat Major, on the air "Je suis Lindor" |
| K.395 | Prelude-Capriccio for piano in C Major, for Nannerl birthay |
| K.486a | Recitative in E flat Major:"Basta, Vincesti... " and Aria in D Major: "Ah, non Lasciarmi..." - for Soprano - For Dorothea Wendling |
| ( * ) | This work is traditionally referred to 1778. Today, musicologists and historians rather seem to make consensus for 1783... |
“Noblemen do not marry from their inclination neither by love, but only by interest and all kinds of additional considerations; it would not be proper for people of the upper class to still love their wife after they carried out their duties and gave them a big heir. But us, poor rabble people, we are not only bound to take a woman we love and who loves us, but still we assume the right of it, we can and want to take a beautiful one, because we are neither noble, neither high born, neither gentlemen, nor rich person, but completely of low birth, malicious and poor, and, consequently we have no need for a rich woman. Our wealth dies out with us, because we have it in the head ... and that one, no man can take it from us, unless they cut our head, and in this case - - we no more need anything.”
ozart to his father, from Mannheim, February 7, 1778.